peebee
Out of Control
I've separated this from the original which was getting a bit big. For anyone who wants to reference it, it's >here<.
I recently was looking up a bit of what was going on in Victorian times and early 20th Century. I started with easily accessible documents:
Invert‐sugar. (Part I.) - Heron - 1896 - Journal of the Federated Institutes of Brewing - Wiley Online Library
Invert‐sugar. (Part II.)* - Heron - 1896 - Journal of the Federated Institutes of Brewing - Wiley Online Library
and (brewery centric rather than the refiners POV) ...
The Preparation of Invert Sugar in the Brewery - Baker - 1902 - Journal of the Federated Institutes of Brewing - Wiley Online Library
They are a bit heavy going, but what you should be able to pick up is:
No.1, No.2 and No.3 Invert Sugars refer to something entirely different back in those days to what is referred to now (often represented by the Ragus range, and Ragus didn't come on the scene until 1928). Back then the number referred to the quality of the sugar source whereas now it seems to refer to the colour of the finished product. When did this happen?
Early on much was done to avoid caramelisation as it would reduce the extract introduced by the Invert Sugar. Inversion seems to have been a shortcut during the refining process to create a syrup for brewing (un-inverted it would crystalise at about 66%). Later it was speculated that having saved the yeast the effort of splitting (inverting) the sucrose, the yeast wasn't weakened over successive generations (i.e. this popular idea in the home-brewing community is still probably nonsense). Victorian "Invert" sugar was as clear as they could make it, they even pushed it through charcoal (animal bones!) to improve the clarity and reduce any flavours, but it was still a pale yellow and tasted of "honey".
I've just completed an AK recipe from Ron Pattinson's (@patto1ro) book ("AK!") in which he's quite clear that the sugars in the records consist of numerous un-known sugar compounds (probably cane molasses based for colour) which have been clumped together as an Invert No.1, No.2, etc. (Caramel coloured). I created an Invert Sugar No.2 for the recipe. Perhaps I should have used a darker coloured (molasses coloured) sugar?
That should put a cat amongst the pigeons? Note: No discussion about "Maillard Reactions"; this time-period pre-dates any knowledge of that.
I recently was looking up a bit of what was going on in Victorian times and early 20th Century. I started with easily accessible documents:
Invert‐sugar. (Part I.) - Heron - 1896 - Journal of the Federated Institutes of Brewing - Wiley Online Library
Invert‐sugar. (Part II.)* - Heron - 1896 - Journal of the Federated Institutes of Brewing - Wiley Online Library
and (brewery centric rather than the refiners POV) ...
The Preparation of Invert Sugar in the Brewery - Baker - 1902 - Journal of the Federated Institutes of Brewing - Wiley Online Library
They are a bit heavy going, but what you should be able to pick up is:
No.1, No.2 and No.3 Invert Sugars refer to something entirely different back in those days to what is referred to now (often represented by the Ragus range, and Ragus didn't come on the scene until 1928). Back then the number referred to the quality of the sugar source whereas now it seems to refer to the colour of the finished product. When did this happen?
Early on much was done to avoid caramelisation as it would reduce the extract introduced by the Invert Sugar. Inversion seems to have been a shortcut during the refining process to create a syrup for brewing (un-inverted it would crystalise at about 66%). Later it was speculated that having saved the yeast the effort of splitting (inverting) the sucrose, the yeast wasn't weakened over successive generations (i.e. this popular idea in the home-brewing community is still probably nonsense). Victorian "Invert" sugar was as clear as they could make it, they even pushed it through charcoal (animal bones!) to improve the clarity and reduce any flavours, but it was still a pale yellow and tasted of "honey".
I've just completed an AK recipe from Ron Pattinson's (@patto1ro) book ("AK!") in which he's quite clear that the sugars in the records consist of numerous un-known sugar compounds (probably cane molasses based for colour) which have been clumped together as an Invert No.1, No.2, etc. (Caramel coloured). I created an Invert Sugar No.2 for the recipe. Perhaps I should have used a darker coloured (molasses coloured) sugar?
That should put a cat amongst the pigeons? Note: No discussion about "Maillard Reactions"; this time-period pre-dates any knowledge of that.