As
@strange-steve said, historic amber malt would have been kilned at lower temperatures to retain diastatic activity ... or to be more accurately at lower
average temperature through the grain bed than modern-day amber malt. Temperature control was less controllable with the grain in beds than "modern" means ("modern" ... relatively speaking as rotating drums for kilning have been around since mid-19th century). The bit of colouring due to some grain being kilned darker accounted for the overall colour; speed the process up and you end up with diastatic
brown malt.
So the question is: What process did they use for creating this "diastatic amber malt"?
Modern kilning uses very tightly controlled temperatures and moisture levels.
A malt I'm playing with is Simpson's "Imperial Malt" which will have been subject to the precise temperature/moisture control (enzyme activity is preserved much longer if the moisture levels are lowered before kilning the colour). "Imperial Malt" comes in at 45EBC which is the darkest I know of at the moment. Modern amber malts are 60-100EBC, so I'm interested if you've got something darker. Imperial Malt will likely have a very "non-historic" flavour (probably more like "Melanoidin Malt"?).
At this very moment I've got a 20L batch of a Durden Park Beer Club recipe fermenting (Day 1, SG currently at 1.032). It's Amber Small Beer (1823) by Cobb & Co of Margate. Same beer? Except I've exchanged 30% Amber Malt for 40% Imperial Malt because it's lighter (and very enzymatic). I'll try plain amber malt another day (70% Pale Malt will easily provide enzymes to convert the Amber). But will be very interested in a historic amber malt for a re-match as that is what must have been used early in 19th century (with Chevallier barley pale malt perhaps?).